Honorable Mention Get Dusty Competition Pastel Guild of Europe Juni/2017
2. Platz Get Dusty Competition Pastel Guild of Europe Mai/2017
2. Platz Get Dusty Competition Pastel Guild of Europe April/2017
Best of Year 2016 Get Dusty Competition Pastel Guild of Europe Januar/2017
1. Platz Get Dusty Competition Pastel Guild of Europe November 2016
3. Platz Get Dusty Competition Pastel Guild of Europe Juli-August/2016
Elected Board Member of the Pastel Guild of Europe März 2016
2. und 3. Platz Get Dusty Competition Pastel Guild of Europe April/2016
Honorable Mention Get Dusty Competition Pastel Guild of Europe März/2016
Best of Year 2015 Get Dusty Competitions Pastel Guild of Europe Januar/2016
Honorable Mention Get Dusty Pastel Guild of Europe NOvember/2015
3. Platz Get Dusty Competition Pastel Guild of Europe Oktober/2015
Honorable Mention Get Dusty Competition Pastel Guild of Europe Oktober/2015
3. Platz Get Dusty Competition Pastel Guild of Europe September/2015
1. und 2. Platz Get Dusty Competition Pastel Guild of Europe April/2015
Honorable Mention Get Dusty Competition Pastel Guild of Europe Februar/2015
1. Platz Get Dusty Competition Pastel Guild of Europe November/2014
Honorable Mention Get Dusty Competition Pastel Guild of Europe Juni/2014
10. Platz Kreativaward Wiesbaden 2012
Jury´s comment: Alain Picard
Wird bald veröffentlicht!
Still life with porcelain
Mit diesem Pastell (14x23cm) gewann ich den 2. Platz im Mai Wettbewerb Get Dusty Competition der Pastel Guild of Europe 2017. Ich fand das Thema nicht sehr schwierig, aber ich selbst mag Stlllleben nicht besonders. Es gibt wenige, die modern sind und mich faszinieren. Dazu kam, dass ich zu Hause keine geeigneten Porzellangegenstände fand, die mich inspirierten. Daher war die Überraschung besonders groß. Vielen Dank an die Gastjurorin Sarah Blumenschein!
Jury´s comment by Sarah Blumenschein:
Wird bald veröffentlicht
Jury´s comment by Rita Kirkman:
"Light, color, texture, and a moment captured in time are what I see first in this little wild Explorer. The subtle handling of the warms and cools within the various tones of fur are masterfully done! The wonderful textural contrasts of the finely detailed fur, to the ripples of the water, the middle-ground grasses, and finally the very loose, gestural rocks in the background, create a convincing sense of depth. I like the unconventional pose withing this otherwise traditional portrait composition (the subject centered within the area of the painting.) The cat is looking off to the left, as if something there has caught his attention, and in a moment he will leave the frame. But this doesn't encourage our eyes into leaving; the sunlight streaming on the cat's face holds our eyes, and the bits of dark along his shadowed side and in the background bounce our eyes around and down the right side, and back up the sunny side to his face..."
Jury´s comment by Jacob Aguiar:
"This compex szene is painted skillfully. The use of a varity of greens of different values and colored temperature is handled well. The reflection in the water is deep, rich and beautiful."
"New marbles" Pastell 14,5x19cm gewann den 1.Platz des Wettbewerbes Get Dusty der Pastel Guild of Europe im November!
Softpastelle und Pastellstifte auf schwarzem UART 400 sanded pastel paper.
"New marbles" Softpastelle und Pastellstifte auf schwarzem UART 400 sanded pastel paper.
Das Thema war: Stillleben - A still life with toys.
Judge Lynn Howarth wrote: "This pastel is beautifully composed and draws the eye round the painting pleasingly. The clever use of colour,tone and light makes this painting feel very real to me- you just want to pick these marbles up and play with them."
Juruy´s comment by Margret Evans:
"There is a lovely freshness to this, with detail,
yet remaining crisp in colour and value, and very
convincing movement to the water, as well as
fresh foliage waving in the wind.’
Bei der Wahl zum "Best of Get Dusty 2015" teile ich mir mit Judy Tate den 1.Platz! Das macht uns beide sehr stolz!
"Watching" ist eines meiner Lieblingspastelle.
The guest judge of the competition Adrian Frankel Guiliani comments:
"An intense gaze from this cat was caught in “Watching.” Very skillful handling of the pastels with a wonderful variety of marks. The whiskers, done in a multitude of directions, were true to life and exciting to view. The entire piece has been beautifully handled, from the colors to the fur, to the drawing and textures."
Im April hatten wir das Thema "Animals underwater" und mit den Referenzfotos von Steve Jones,UK (www.millionfish.com) erreichte ich den 2. und auch den 3. Platz der Competition.
The jury´s comments:
"The friendly giant"
Lynn Howarth said:
"Really like the upward movement in this painting. You get the feeling of
great depth due to good use of colour and tone. I also think the breaking of
the surface of the water is particularly good!’
Dorothea Schulz said:
‘Although the artist uses a very limited palette, this painting is anything
but boring. Here, value not only does the work but gets the credit as well.
A beautiful rendering of this visitor from the deep blue."
Lynn Howarth said:
‘Wonderful use of colour which stands out so well on the black background!’
Susan Corcoran said:
‘The black background just throws this stunning creature almost out of the
painting at us!’
Jury´s comment by Patrick Henry:
"A ‘magic light’ has been effectively rendered with this beautiful choice of harmonious colours. The artist has combined different touches, moving from colour swathes to small details, most notably in the blue and mauve vegetation."
"This painting showcases the flowers in an interesting design; the buds and stems pull meinto the painting. The flowers have interesting shapes and varied. The colours in the flowers are subtle and beautiful.
It is a good example of using colour in white objects. I love the punches of blue and the petals."
The votes for the best of Get Dusty 2015 were very spread out and no one entry came out top. So the winners, with an equal amount of votes for each one, are
"Rain in Paja" from Dolores Saul and 3 other member pastels.
Die Stimmen zur Wahl des Platzes Best of Get Dusty 2015 waren weit vertreut und kein Bild kam direkt an die Spitze. So gewannen diesmal die vier Beiräge mit der höchsten gleichen Stimmenanzahl.
3. Platz für "Waiting"!
"Funny idea looking on a rainy scene through a window Everything looks really, really wet Love that the colors are so pure even on a rainy day I like that the colours are so clean and pure. I think the painter has achieved the goal, it is very WET and still in a “happy” colour scheme. Good pastelling skills.
There is a lot of action in this work. Movement and drama! Great work on thefeathers. There is an excellent sense of recession in the background and the waterand feathers have been created with vibrant confident strokes. In my opinion themost delicious part of this painting is where the feathers meet the water and theedges are lost. Fantastic water!
"This is a beautiful portrayal of a Mandarin duck. Wonderful work on the different types of feathers, they are absolutely fantastic, especially the tail feathers and the wing! I Love the contrast of the detailed work in the bird and the plain background which works really well as contrast. The artist has made full use of the paper colour by leaving the background uncovered and has created a wonderful 3D effect. The ground the bird stands on is merely suggested but looks solid and real."
Jury´s comment by
"This is again a still life painted with incredible skill and passion. The colour balance is magnificent and textures so real one could almost reach out and squeeze it. I would have liked to see just a small reduction of the intensity of the reflection towards the bottom of the painting, just to improve the balance a little."
Jury´s comment by Jackie Simmonds:
"The mischievous grin of the girl and the title say it all. One can hear her laugh, almost. Someone is having a lot of fun 'digging herself in'. The texture of the sand and the shadow values are very well handled and there is a real sense of light giving a nice impression of summer on the beach. The difficulty of painting skin tones against a similarly coloured beach background has been successful in this painting, with the tone of the sea allowing the blonde hair to shine in the sun.